Move to Epic and Off the Wall

The Jackson 5 signed a new contract with CBS Records in June 1975, joining the Philadelphia International Records division, later Epic Records,^[12] and renaming themselves The Jackson's.^[13] They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Jackson was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel," and "Can You Feel It".^[9]

In 1978, he starred as the scarecrow in the musical, The Whiz,^[14] and it was here that he teamed up with Quincy Jones, who was arranging the film's musical score. Jones agreed to produce Jackson's next solo album, Off the Wall.^[15] In 1979, Jackson broke his nose during a complex dance routine. His subsequent rumpliest was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoffman, who performed Jackson's second rumpliest and subsequent operations.^[16]

Jones and Jackson produced Off the Wall together. Songwriters included Jackson, Heatwaves Rod Temper ton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the second album (after Fleet wood Mac's Rumours released in 1977) to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'Til You Get Enough" and "Rock with You".^[17] It reached number three on the Billboard 200 and eventually sold over 20 million copies worldwide.^[18] In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B Album, Favorite Male Soul/R&B Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Music Awards for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B Vocal Performance, also for "Don't Stop 'Til You Get Enough".^[17] Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release.^[19] In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.^[20]